Burlesque at the Savoy: Today’s Reviews in the Spotlight

Burlesque: The Musical at the Savoy Theatre in London has drawn fresh acclaim today, earning praise for its high‑octane energy, electrifying vocals and unapologetic camp flair. Though some critics note a convoluted second act, the show’s glittering spectacle, standout performances (especially by Jess Folley, Orfeh and Todrick Hall), and bold new musical numbers leave audiences buzzing — marking it as a runaway summer hit. Here is a handy round up of the best reviews of BURLESQUE at the Savoy Theatre, London.

1. The Guardian

“Gloriously over‑the‑top and campy crowd‑pleaser” Burlesque: The Musical receives high praise as a vibrant, sass‑driven rework of the 2010 film. Orfeh and Jess Folley’s powerhouse vocals spark electric chemistry, while Todrick Hall’s choreography, Marco Marco’s flamboyant costumes, and a notably British sense of humour lift the show. Though the plot may feel messy, the spectacle, humour and raw energy make it a crowd‑pleaser for fans of RuPaul’s Drag Race.

2. The Times

“Car crash? Actually it’s rather compelling”A critic warns that amidst backstage troubles and a tangled narrative, the show still emerges with energy and flair. Jess Folley and Orfeh deliver standout voices, and Todrick Hall shines as both comic force and choreographer. Despite a shaky second act and a somewhat diluted romantic subplot, the production earns a solid three stars for its high‑energy ensemble

3. Radio Times

“Fun and glamour reign supreme”Awarded four out of five stars, this review hails Burlesque as a cult classic in the making. While acknowledging a few superfluous songs, the production’s glitz, wit and vibrant new numbers—like Don’t Make Me Sing and Make‑Up—win the day. Jess Folley is described as a “revelation”, Todrick Hall a humorous delight, and Jake Dupree’s performances are praised—making it a feel‑good theatrical treat .4.

4. The Independent

“One helluva show”Though the underlying plot remains thinner than expected, the reassessment of the film into a campfest works. Folley’s voice shines, Hall takes centre stage with charisma and wit, and Asha Parker‑Wallace’s Nikki adds fresh depth. Burlesque delivers queer in‑jokes, dazzling routines, and unapologetic energy that resonate with contemporary audiences.

5. London Theatre Reviews

“Completely irresistible… a full‑throttle spectacle”Calling it “a must‑see show of the summer”, this review applauds the production’s self‑aware charm, sleek set design, bold choreography and dynamic lighting. Jess Folley’s commanding performance, Hall’s charisma, and the polished ensemble combine to create a visually sumptuous and cheerfully flamboyant evening .

Overview: What tickadooers would love

• Music & performance: Spotlight on Jess Folley (Ali) and Orfeh (Tess) delivering commanding vocals, plus standout ensemble energy.

• Direction & choreography: Todrick Hall is a show-stealer—as director, choreographer and actor—imparting swagger, humour and high-octane dance.

• Visual spectacle: Marco Marco’s costumes, Nate Bertone’s set design, and dynamic lighting contribute to the show’s lavish appeal.

• Plot & pacing: Critics note a messy or stretched narrative with occasional weak patches, though all agree the show’s energy and entertainment value compensate.

• Audience reaction: Repeated emphasis on campy, queer-friendly wit and feel-good vibes—especially for fans of diva pop and drag culture.

Your ticket to the sparkle

Burlesque: The Musical runs at the Savoy Theatre, London, until 6 September 2025. Ideal for those craving powerhouse vocals, comedic razzle‑dazzle and unapologetic glamour this summer.